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The pair of releases put out to date by the group Ashnymph resist simple labeling: their own description of the sound as “subconscioussion” provides few hints. The first single Saltspreader combined a jackhammer industrial beat – member Will Wiffen has at times appeared on stage sporting a shirt that displays the emblem of Godflesh, icons of industrial metal – with old-school electronic keys and a guitar riff that vaguely recalls the Stooges’ garage rock perennial I Wanna Be Your Dog, before transforming into a wall of disquieting noise. The desired impact, the group has mentioned, was to conjure highway journeys, “the ceaseless flow of vehicles all day long over vast spans … orange lights at night”.

The subsequent track, the song Mr Invisible, occupies a space between club music and experimental rock. Firstly, the cut's tempo, multiple entrancing electronic parts, and lyrics that appear either trippily blurred or hypnotically looped in a way that evokes the classic Underworld album era all point towards the club floor. Conversely, its intense performance-style shifts, brink-of-disorder feel and fuzz – “achieving a crunchy texture is a lifelong ambition,” Wiffen has said – mark it out as very much the work of a band rather than a lone electronic artist. They've gigged around south London’s DIY scene for a short time, “any venue that cranks the volume”.

But the two tracks are vibrant and distinct – from each other and other current music – to make you wonder about Ashnymph's upcoming moves. Regardless of the form, on the strength of these tracks, it’s unlikely to be boring.

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